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We did an artist weekend for three days in Greece in 2016 and we had the best time. The brilliant album that she made with John Leventhal, “Steady On,” is mysterious and extraordinary. She and I played together in the mid-’90s. I’ve actually written a song about her, which I didn’t put on this album. I’m very picky about my singers, and I am crazy about Shawn Colvin. You see a reflection of it in “Downton Abbey.” There was the show “Beyond the Fringe” and then they made a movie, “Behind the Fridge,” and nobody else seems to have seen it. Monty Python were the first group of comedians that I got in touch with when I was in England in the ’60s, and they always had a way with humor. But I can hear them in my own voice, so that’s fine. His books about Lyndon Johnson are read by another reader whom I cannot bear.
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I remember his voice on television when he was talking about Robert Moses and what he did to the public landscape by tearing down communities to build the freeways. And I love listening to Robert Caro read his books. Peter Grainger is a favorite writer of mine, and he has Gildart Jackson, who may be the best reader that I’ve ever heard, second only to Hugh Fraser. I need to have a good reader or I can’t listen to an audiobook. We have very strong opinions in my family about a lot of things: politics, literature and always the voice. I mean, sometimes she could go on and on until you got tangled in the web of language and scenario.
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She described the buildings and the water and what was served at tea. She was dynamic, she was particular, she was elegant. I just finished 40 of her audiobooks, all of them read by the great Hugh Fraser. What Jimmy Webb does in “Gauguin” is the musical version of “Free Solo.”Īgatha Christie is third in line behind Shakespeare and the Bible. Jimmy always says, “You take my hardest songs.” I recorded “Paul Gauguin in the South Seas” and it taught me more about singing than I had learned since I studied it. They’re so wonderful and I love singing them. That was a hard mountain to climb when I was younger. For instance, handling grief and creativity at the same time. “The older brain is capable of a lot of things. “As an artist, you’re always in the midst of memory,” she said via phone from her Upper West Side apartment, which she shares with her husband, Louis Nelson, and their three Persian cats. The bygone romance on “So Alive” unfolds between downtown landmarks like the Bitter End and Jackson Square, summoned up in Collins’s signature crystalline soprano.
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25) finds Collins reminiscing about old lovers, her Colorado childhood and, yes, that iconic era. She has been wildly prolific since emerging as a pre-eminent voice of the Greenwich Village folk scene with her beautiful cover versions of friends’ songs, including Joni Mitchell’s “ Both Sides Now” in 1968. Slowing down has never come naturally to Collins. “Probably because I didn’t have a pandemic to keep me at home.” “I can’t tell you why it took me so long,” Collins said. Now, at 82, the folk singer is finally delivering “Spellbound,” her first album of entirely original material. It’s been nearly six decades since Leonard Cohen challenged Judy Collins to start writing her own songs.